So I have utterly failed at reading anything of substance this week. In fact I was going to post that I had utterly failed at reading anything this week when I was saved by the arrival of the first collected volume of the web comic Stand Still Stay Silent by Minna Sundberg. Because, in fact, I have been reading a lot of bits and pieces of SSSS (why not S4? - that simply isn't how the fandom rolls, I guess) and related stuffs, like fanfiction and TVTropes entries. This is part of Yuletide prep, because I'm going to request SSSS, but I always meant to blog this comic anyway.
Stand Still Stay Silent is a science fantasy series set in Scandinavia. It starts with an extended prologue. In our recent past, a pandemic known as the Rash has spread around the world. The disease seems pretty harmless if somewhat debilitating at first, but after a few weeks, it becomes clear that everyone underestimated the Rash. In the end, as far as the central characters of the main timeline know, only Iceland and a scattering of populations in the continental Nordic countries survive.
The main story starts 90 years later with the survivors having adjusted to the New Normal. Isolated communities and a very few small cities are surrounded by wilderness haunted by weird, horrific warped creatures that used to be human beings and other mammals (they're often referred to as "trolls"). A badly underfunded research expedition is being assembled to go out into the Silent World (the lands that were abandoned by the remnants of the human race) to seek out and bring back technology and medical information. This band of misfits is our main cast.
Humorous or poignant interactions among the expedition crew members alternate with spooky or downright terrifying encounters with the trolls, who are as varied as they are grotesque. The fact that the crew members are all from different countries (except for the Finnish cousins) and mostly speak only their native languages adds another layer of complexity to the situation. And then there's the fact that not everything that happens can be explained by science ... .
Sundberg's artwork is vivid and dynamic. The palettes tend to be limited: monochrome schemes overlaid with washes in one or two colors and small spots of intense hot or cool colors. The details of the larger set pieces are impressive (warning: wide image), especially for a comic that's updated five days a week. The world-building is intriguing. The story is full of the family-of-choice and hurt-comfort tropes that make things work for me. And the storyteller punctuates the action of the series with artful infodumps in the form of in-story posters or pamphlets.
The most common criticism I've seen is that the pace is fairly glacial. Things do pick up considerably once the prologue is complete. The cast is ethnically diverse only within the confines of Scandinavia: everyone is very white. There are a number of female characters in the full cast, including two in the adventuring crew, and they have plenty of agency (one is the commander). No one is explicitly LGBTIQ, but then, romantic/sexual relationships haven't been part of the plot thus far (although a number of straight couples are shown in the prologue). No one seems affected by a disability unless you consider Lalli to be on the autism spectrum (which I do, actually).
Anyway, I'm enjoying the hell out of this one.
This entry is also posted at Dreamwidth. Comment at either location, as you prefer.